Megan Robinson

This was a 3rd year project and a personal response to a Haynes Manual. I became most interested with the oily fingerprints left on the Manual from its previous owner. After studying the contents for weeks I could sympathise with its previous owner as the frustration of trying to De-code this closed language was clear in the greasy fingerprints. I felt like the more you became physically involved with the manual, the clearer the information became. To portray this feeling of frustration I set the Engine chapter of the Manual in fingerprints that were only recognisable as type when viewed under a magnifying glass. This was a handmade reproduction of the Haynes Manual featuring the engine chapter in fingerfrints.
La Boheme

This was a shortlisted entry for the live brief presented by the Scottish Opera. Rarther than designing a conventional romantic poster I wanted to concerntrait on typography, hilighting the industrial, gritty side of the Scottish Operas modern adaptation of this old classic. I used the huge industrial structure as a metaphor for how powerful and overwhelming the opera can be, as well as using it to spell out the 'L' and 'B' of La Boheme.
Esquire: special edition covers


A week long project working with David McKendrick, creative director of Esquire magazine, designing the subscribers 'style' edition for Esquire. I designed a range of magazine accessories: waistcoats, moustaches, origami ties and Dicky bows with an aim to add a little personality and character to the cover of the magazine.
Thursdays Typo
revisiting 1940's Graphics
Developmet work
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